I am loving the overabundance of pattern in this Los Angeles home that brings in some global and contemporary vibes and makes it so fresh and homey. Moroccan encaustic tiles and textiles from India, Indonesia and Mexico come together in harmony here and add so much life. By Vidal Design Collaborative.
Leslie Jenkins of Jenkins Interiors lives in a beautiful 1940’s home in Tyler, Texas and it showcases her signature style of marrying contemporary furnishings with rare artwork and European antiques (that she sources herself on buying trips abroad) and the result is elegant without being overdone or too precious. I admire her use of colour, again not overdone and used in just the right amounts.
I just can’t get enough of Italian design firm Marcante Testa. They absolutely blow my mind with their use of colour, materials like brass, wood and marble, and their attention to detail of every square inch of their spaces. What I would give to be a fly on the wall in one of their design sessions. I mean, read this description and you’ll see what I mean. For this apartment, set within a building from the late 1960 on Corso Sempione, the Turin-based duo has applied its immediately recognizable style to reinterpret a typical bourgeois Milanese home in a highly original way. The floor in “Cipollino Tirreno” marble extends from the entrance hall to the living room, even being used on the walls and “closing” at the ceiling to frame a view of Milan that appears almost like a meditative landscape. Moving towards the dining room, this material gives way to “Verde Alpi” marble, which becomes a “carpet” on the floor for the dining table, a wallcovering, and even furniture itself in the form of a shelf on which to place objects. The floor in “Cipollino Tirreno” marble extends from the entrance hall to the living room, even being used on the walls and “closing” at the ceiling to frame a view of Milan that appears almost like a meditative landscape. Moving towards the dining room, this material gives way to “Verde Alpi” marble, which becomes a “carpet” on the floor for the dining table, a wallcovering, and even furniture itself in the form of a shelf on which to place objects. The cement tiles, the original wood floors updated with resin coatings, the colored metal structures for the doors in wire mesh glass, along with the materials used for the custom furnishings (laminate in the kitchen, the bath furnishings and the storage cabinets) reference the period in which the building was first constructed. They also “dampen” the high notes of more precious materials, such as the brass, marble, and the wallpapers and the fabrics of the wardrobe doors in the master bedroom. In this way, the interaction of materials, forms, colours and surfaces, as manipulated by the designers, is transformed and creates unexpected emotional reactions in the viewer linking the contrasting styles of everyday and sophisticated, high and low, past and contemporary.
I had to post some more spaces designed by London-based design team Barlow & Barlow because this first kitchen is giving me all the feels and I can’t get over how gorgeous it is. And I don’t even like blue! (ok I’m imagining it in black instead). Everything else below is just so full of colour and pattern and general boldness as I come to expect from them. (Previous features here and here)
Is it a pop-up shop in a home or a home where you can stay and take home the sofa if you happen to love it? Why it’s both! Owner Tina Seidenfaden Busck reimagines The Apartment each year, presenting a carefully curated and continually changing collection of art and design objects from the 20th century as well as pieces by renowned contemporary designers. This year you can even book a stay. It’s my dream of living in a shop come to life. I love the evolution of The Apartment over the years and particularly this summer’s celebration of colour, pattern and different cultures.