How do you keep an industrial loft from being too cold? Add in lots of patterned rugs, art and plants, throw in a dog for added cuteness and you have a home that could not be cozier. Those windows are hella good. Home of LA designer .
Let’s tick off our ultimate apartment check list. Large rooms with exposed timber beams and steel framed windows. Killer art collection. Pierre Jeanneret chairs. Expansive terrazzo floors and for added impact a monolithic terrazzo kitchen island. Have we forgotten anything? Oh yes! A Paris address. Rue Galilée by
Photography by Romain Laprade and François Halar.
I’m still real estate hunting in the Melbourne suburb of Brunswick. The simple Edwardian facade allows glimpses of a two storey modern extension by Preston Lane Architects. Highlights include streamlined open plan living and a seamless flow from inside to out with great al fresco living in a low maintenance garden. Link while it lasts.
I’m chasing the dream in the Melbourne suburb of Brunswick where a warehouse conversion with separate studio at the rear has caught my eye. The unimposing gray facade provides no clues as to the industrial meets textural, monochrome with a hint of coastal interior. Shouldn’t work you’d think but what could have been a stark interior is warm and welcoming. Bonus is if I buy it you can come visit and stay in the cute as a button studio. Link while it lasts.
This modern extension by Melbourne architects followed the client’s brief for a sustainable forever home. “The design was approached in this context; to be no bigger than required and enduring … Connection was a theme that encompassed planning and detail. A new informal side entry brings inhabitants and friends directly into the kitchen from the street. The living area joins the parents and kids zones. The expanse of glazing and detailing mitigates the distinction between indoors and out.” Timber beams and columns feature throughout along with shelving reminiscent of plumber’s pipe and scaffolding. Robust, sustainable and tactile.
Photography by Willem-Dirk du Toit.